KLEE Acoustics TruBalance XLR 1.5 Meter

Hi , For selling: Klee Acoustics TruBalance XLR 1.5 Meter 

From Klee Acoustics:

Technology

Klee acoustics interconnects and speaker cables represent an awe-inspiring leap forward in audio cable design: Special alloy resistive flat metal ribbon cables create electrically linear signal pathways all the way from the music source to the loudspeakers. This seminal discovery spells the end of troublesome group-delay time smear created by inductive reactance. Klee Acoustics special alloy ribbons are more than physically flat; they are electrically flat to zero dB from 5 Hz to 1 mHz. Ordinary cables typically made of copper or silver or similar metals are highly electrically-conductive, which necessarily create powerful impeding inductive fields that vary with the frequency of the signal, and therefore in accordance with the laws of physics selectively restrict, or color, the music. Attempts to harness these undesirable inductive fields with special “locked in” physical geometries are only partially successful, since such cables must necessarily favor one frequency band over another. Klee Acoustics cables permit musical signals to travel through a purely resistive pathway that is completely free of inductive reactance,

conquering a final stubborn roadblock that has heretofore defeated cable designers since the dawning of the high-end stereo age. Technically speaking, the tiny yet pure DC resistive load of a Klee Acoustics special metal-alloy ribbon cable swamps, or suppresses, its own inductance, and therefore removes time-smearing, music-corrupting inductive reactance from the equation once and for all. This is the core novel feature of the Klee Acoustics landmark patent.

Klee Acoustics cables employ polished ribbons geometrically configured for the optimum number of skin depths necessary to accommodate the entire musical spectrum. Since the special metal-alloy ribbon material is similar to gold in its resistance to destructive oxidization, surface-traveling high-frequency signals can never be corrupted by oxidative skin “rust” due to exposure to the atmosphere, and therefore the ribbons can be suspended in a weave enclosure that is 90 per cent air, which has an important added benefit: They are essentially free from dielectric energy storage which otherwise blurs fine musical detail. And there’s yet another unique superiority: When EMI/RFI noise impinges upon Klee Acoustics ribbons the noise signal sees the ribbons as “toaster wire,” and the microwatt signals are converted to heat and dissipated long before they reach the terminating plugs—so there’s no need for a performance-degrading shield.

From Stereo Times:

The sound of Klee Acoustics cables is very hard to describe because they have very little sonic character of their own and minimize any variation of the actual signal. They are also quite instructive and reveal lots about previous cables I’ve owned. One thing that surprised me initially was how loud I could turn up the volume with no noticeable stress or strain. Easily, the remote control for my Behold APU preamp was typically showing 4 to 6 dB higher on every song I cued up! The music came through with a natural flow and unforced feel, sounding as though the signal was traveling through a much larger and less restrictive pathway. Additionally this was across the entire audio spectrum. Images emerged from a soundstage that was arrayed dimensionally from front to back as well as from left to right. This enhanced soundstage was both spacious, lucid and dimensionally layered. The improved dynamics greatly enhanced the illusion of listening to recorded music as though I was listening to a live event. In fact, the most impressive feature of this cable is that it simply brings the music through unfettered and in a way that was totally unexpected.

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