BEETHOVEN / Rubinstein - "Beethoven Sonatas - Moonlight, Pathetique & Les Adieux" - RCA 1964 'Shaded Dog'

"Warm, lyrical, and aristocratic in his interpretations, Artur Rubinstein performed impressively into extremely old age, and he was a keyboard prodigy almost from the time he could climb onto a piano bench. He came from a mercantile rather than a musical family, but fixated on the piano as soon as he heard it. At age three he impressed Joseph Joachim, and by the age of seven he was playing Mozart, Schubert, and Mendelssohn at a charity concert in his hometown. In Warsaw, he had piano lessons with Alexander RÛÛycki; then in 1897 he was sent to Berlin to study piano with Heinrich Barth and theory with Robert Kahn and Max Bruch, all under Joachim's general supervision. In 1899 came his first notable concerto appearance in Potsdam. Soon thereafter, just barely a teenager, he began touring Germany and Poland.

Rubinstein's international reputation grew quickly, although he was by his own account a sloppy technician. In the mid-1930s he withdrew again and drilled himself in technique. By 1937 he reemerged as a musician of great discipline, poise, and polish ó qualities he would mostly retain until his farewell recital in London in 1976, at the age of 89. Rubinstein's temperament had sufficient fire for Beethoven but enough poetry for Chopin; his tempos and dynamics were always flexible, but never distorted. His 1960s recordings for RCA of nearly all Chopin's solo piano music have been considered basic to any record collection since their release, and his version of Falla's Nights in the Gardens of Spain is another classic, as are his various late collaborations with the Guarneri Quartet." - AMG.
This is an RCA "Shaded Dog" Living Stereo recording from approx. 1964.
The RCA "Dogs" are considered to be of true Audiophile quality.
This recording is no exception.

The record is Exc+.
The jacket is Exc.
The LP plays/sounds Mint.

Rubinstein is playing in your room - that's how life-like this LP sounds. Imaging and detail are exceptional, as is tone and dynamics. The Piano is surrounded by 'air' and presence. Each keystroke is clear and crisp.
Very slight, low-level surface noise which is mostly inaudible unless you listen very closely for it.

Each record is washed on a VPI cleaning machine using a proprietary 3-5 agent process which is determined by the needs of the individual record. Each record is then listened to 100% to insure that the posted description is exactly what you can expect to get.

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