Lindsey Buckingham hadn't recorded a studio album with Fleetwood Mac in 16 years when Say You Will was released in April 2003.
His partner, Stevie Nicks, had been missing in action from the group since 1990, and while both joined the reunited group in 1997 for a tour and live album (The Dance), not to mention Bill Clinton's 1993 inauguration, it had been a long, long time since the two made new music for the Mac.
They were lured back into the fold for...well, the specifics -- whether money, prestige, status, publicity, or creativity -- don't really matter, since the end result is the same, it's that Buckingham and Nicks have come home. This doesn't qualify as a full-fledged Fleetwood reunion, since Christine McVie isn't here, choosing to opt out of this high-profile return to the breach (although her playing is occasionally heard on the album).
This results in a record that never quite sounds like Fleetwood Mac. Mick Fleetwood and John McVie are so grateful to have the two superstars back in the group that they cede ground to Buckingham and Nicks, who never collaborate as much as share space. Each singer/songwriter is given nine songs apiece, a move which, in itself, would not necessarily be a problem, but over the course of this lengthy, lengthy album, the evenhandedness starts to give the impression that this is two solo albums presented as a group effort.
An assessment that's a little harsh, since the group can still conjure echoes of their classic sound, but the division of work is so deliberate and their work so dissimilar, it can't help but feel like two separate pieces pushed together to make the whole. Which is where Christine McVie becomes a critical factor. While never a star like Nicks, nor possessing the mad genius of Buckingham, McVie was a strong, likeable songwriter whose gently melodic works balanced the extremities of her bandmates while also forcing them to choose the best material to fit the record. Add to this that Fleetwood Mac have decided to run wild with the length of a CD, producing a record that is significantly longer than the messy, chaotic Tusk, but without its inspired insanity or depth of sound and character.
Here, even if most songs are in the four-minute ballpark, they all feel longer, partially because the album clocks in at nearly 80 minutes and the sequencing flows as it was designed by committee. So, Say You Will winds up occupying a strange middle ground, often feeling as if it was Lindsey Buckingham and Stevie Nicks' albums bouncing around on shuffle play, but also occasionally flashing moments that are purely, satisfyingly Fleetwood Mac. Although there are occasional misguided attempts to modernize the songs -- most notably drum loops on some of Nicks' songs -- none of the songs sound as if the band were forcing themselves to sound contemporary. Sure, it sounds commercial, but that's the band's idiom -- what's important is that it never sounds compromised.
1 What's the World Coming To Buckingham, Raymond 3:49
2 Murrow Turning Over in His Grave Buckingham 4:13
3 Illume Nicks 4:51
4 Thrown Down Nicks 4:02
5 Miranda Buckingham 4:19
6 Red Rover Buckingham 3:58
7 Say You Will Nicks 3:49
8 Peacekeeper Buckingham 4:12
9 Come Buckingham, Heywood 6:00
10 Smile at You Nicks 4:33
11 Running Through the Garden 4:35
12 Silver Girl Nicks 4:00
13 Steal Your Heart Away Buckingham 3:33
14 Bleed to Love Her Buckingham 4:07
15 Everybody Finds Out Nicks, Nowels 4:29
16 Destiny Rules Nicks 4:27
17 Say Goodbye Buckingham 3:26
18 Goodbye Baby Nicks 3:52
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