Moerch MORCH DP8 Demo 30% off
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| Condition | NEW |
| Payment methods |       |
Contact seller after sale to pay viaCertified check or Personal check | |
| Ships from | Chicago, IL, 60647 |
| Ships to | United States and Canada |
| Package dimensions | unspecified |
| Shipping carrier | FedEx |
| Shipping cost | $40.00 |
| Original accessories | Box, Manual |
 Average | Research Pricing |
DEMO product with less than 20 hours. Warranty as new.
All our products at special prices.
Moerch DP8. New and demo model available. Also please check out our website and Specials section.
Moerch DP-8 Anisotropic. The best Moerch - beats arms well over its price point. In fact, I can say that confidently about all three models of Moerch tonearms (DP8, DP6, and UP4). Available in gold, chrome and limited edition black.
Anisotropic because the effective mass for the horizontal mode of motion is many times higher than the effective mass for the vertical mode of motion. – No matter the effective mass of the armtube used. Took years of research and refinement to build this beauty.
For a review, please click on Moerch DP8 Review
Model DP-8 Anisotropic has a unique combination of bearings: For the horizontal mode of motion a silicone damped, high precision ball-bearing assembly with large housing for substantial damping. Two precision sapphire bearings are incorporated for the vertical mode of motion. This also may be damped, if desired, by injecting silicone fluid into a well for vertical damping. Vertical damping is rarely needed for this model. It is independent of the damping of the horizontal mode of motion, and further it can be adjusted to all intermediate levels of damping.
Model DP-8 Anisotropic has a device for adjusting the VTA while playing integrated. Markings for “getting back” to a special setting is provided. The large effective mass for the horizontal mode of motion is stabilizing the the armtube horizontally, so that at very low frequencies it is only the cantilever of the cartridge, that is moving – not the tonearm. This means that the bass goes all the way down reproducing all the bass on the record with full amplitude and dynamics.
SORAsound Specials
Please check out our website SORAsound for the great products we offer as well as for NEWS, BLOG, pictures. Thanks.
Soon my web lady will post pictures of my recent trip to Asia (Beijing, HK, Taipei and Tokyo) and Europe (Germany-France-Switzerland-Austria-Belgium) on SORAsound.com's blog. Please keep an eye on it. We enjoy sharing the beauty of life, and of course music.
Also, while on my website please check out our holiday specials.
Mehran For the love of life, for the love of music... tel. 773.706.9705 [email protected]
Exclusive North American distributor for AMAZON Audio, Glanz, Moerch, MUSICAL AFFAIRS, RCM Audio, ONZO ZERODUST, Tom Evans and ZYX.
Representative for Aavik Acoustics, Ansuz cables, Audio Physics speakers, Aavik Acoustics, EMM Labs, Graham Engineering, Harmonic Resolution system (HRS), Hannl, Jeff Rowland Design Group, KLAudio Record Cleaners, Lamm Industries, Miyajima Lab, Nordost cables including ODIN, PlayBack Designs, Raidho, Soundsmith, Triplanar, VAC, Verdier, Wavac Audio and 47 Laboratory.
Questions for the seller |
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| I am looking for new silver DP-8. If possible please advise if this is the one. Not yet certain which one is better 9" or 12". Michael Fremer says 9" tonearms is the way to as they have less sonic issues. Planned to be mounted on Garrard 301. Advise appreciated. Tommy Yes, it is silver one.
This is the first time I am hearing such a thing regarding nine inch versus 12 inch. Either would sound great and look beautiful on your Gerrard. please feel welcome to call me or give me a number to call you. Mehran |
| OK. Please below Mr. Fremer's comments: "Nine Inches—More than Long Enough for Me! Despite their popularity in some circles, I've never been a big fan of 12"—or longer—tonearms. (What were you thinking?) I've long believed that whatever benefits are gained with longer arms' lower theoretical tracking error and need for less anti-skating force are more than offset by their lower rigidity, their amplification of any errors made in setting overhang or zenith angle, and, especially, problems resulting from the arm's greater moment of inertia—ie, a tonearm's ability to handle a record groove under dynamic conditions.
Read more at http://www.stereophile.com/content/dr-feickert-analogue-firebird-turntable#GDTO57kuErh3pPcU.99 Appreciate the link Tommy. Let me know if I can help you with anything. Best to contact me on [email protected] for quicker/more responsive reply or call me. Have a good week-end. |
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