STAN GETZ "THE MELODIC STAN GETS"1965 METRO 1st PRESS STEREOusedSTAN GETZ   "THE MELODIC STAN GETS" - 1965 METRO 1st PRESS STEREO * NM  9/10 *STAN GETZ "THE MELODIC STAN GETS" 1965 METRO LABEL *** EXCELLENT 9/10 *** One of the all-time great tenor saxophonists, Stan Getz was known as "The Sound" because he had one of the most b...47.00

STAN GETZ "THE MELODIC STAN GETS" - 1965 METRO 1st PRESS STEREO * NM 9/10 *

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Condition
9/10
Payment methods
Ships fromWilmington, NC, 28401
Ships toWorldwide
Package dimensions14.0" × 14.0" × 1.0" (2.0 lbs.)
Shipping carrierUSPS
Shipping costSpecified after purchase
FormatVinyl - LP

STAN GETZ "THE MELODIC STAN GETS"

1965 METRO LABEL

*** EXCELLENT 9/10 ***

One of the all-time great tenor saxophonists, Stan Getz was known as "The Sound" because he had one of the most beautiful tones ever heard. Getz, whose main early influence was Lester Young, grew to be a major influence himself and to his credit he never stopped evolving.
Getz had the opportunity to play in a variety of major swing big bands while a teenager due to the World War II draft. He was with Jack Teagarden (1943) when he was just 16, followed by stints with Stan Kenton (1944-1945), Jimmy Dorsey (1945), and Benny Goodman (1945-1946); he soloed on a few records with Goodman. Getz, who had his recording debut as a leader in July 1946 with four titles, became famous during his period with Woody Herman's Second Herd (1947-1949), soloing (along with Zoot Sims, Herbie Steward, and Serge Chaloff) on the original version of "Four Brothers" and having his sound well-featured on the ballad "Early Autumn." After leaving Herman, Getz was (with the exception of some tours with Jazz at the Philharmonic) a leader for the rest of his life.
During the early '50s, Getz broke away from the Lester Young style to form his own musical identity and he was soon among the most popular of all jazzmen. He discovered Horace Silver in 1950 and used him in his quartet for several months. After touring Sweden in 1951, he formed an exciting quintet that co-featured guitarist Jimmy Raney; their interplay on uptempo tunes and tonal blend on ballads were quite memorable. Getz's playing helped Johnny Smith have a hit in "Moonlight in Vermont"; during 1953-1954, Bob Brookmeyer made his group a quintet and, despite some drug problems during the decade, Getz was a constant poll winner. After spending 1958-1960 in Europe, the tenorman returned to the U.S. and recorded his personal favorite album, Focus, with arranger Eddie Sauter's Orchestra. Then, in February 1962, Getz helped usher in the bossa nova era by recording Jazz Samba with Charlie Byrd; their rendition of "Desafinado" was a big hit. During the next year, Getz made bossa nova-flavored albums with Gary McFarland's big band, Luiz Bonfá, and Laurindo Almeida, but it was Getz/Gilberto (a collaboration with Antonio Carlos Jobim and João Gilberto) that was his biggest seller, thanks in large part to "The Girl from Ipanema" (featuring the vocals of Astrud and João Gilberto).
Getz could have spent the next decade sticking to bossa nova, but instead he de-emphasized the music and chose to play more challenging jazz. His regular group during this era was a piano-less quartet with vibraphonist Gary Burton, he recorded with Bill Evans (1964), played throughout the 1965 Eddie Sauter soundtrack for Mickey One, and made the classic album Sweet Rain (1967) with Chick Corea. Although not all of Getz's recordings from the 1966-1980 period are essential, he proved that he was not afraid to take chances. Dynasty with organist Eddie Louiss (1971), Captain Marvel with Chick Corea (1972), and The Peacocks with Jimmy Rowles (1975) are high points. After utilizing pianist Joanne Brackeen in his 1977 quartet, Getz explored some aspects of fusion with his next unit which featured keyboardist Andy Laverne. Getz even used an Echoplex on a couple of songs but, despite some misfires, most of his dates with this unit are worthwhile. However, purists were relieved when he signed with Concord in 1981 and started using a purely acoustic backup trio on most dates. Getz's sidemen in later years included pianists Lou Levy, Mitchell Forman, Jim McNeely, and Kenny Barron. His final recording, 1991's People Time, (despite some shortness in the tenor's breath) is a brilliant duet set with Barron. (AMG)

Metro was a label of MGM Records launched in 1965; its reissues from the MGM/Verve family of labels often had 10 songs instead of the standard 12. All of the LP releases were in both mono and stereo (though the stereo versions were rechanneled). The label was retired in 1968. (DSG)

Stan Getz ‎– The Melodic Stan Getz
Label: Metro Records ‎– MS-501
Format: Vinyl, LP, Compilation, Stereo
Country: US Released: 1965

Track List:
A1 Over The Rainbow
A2 How About You
A3 A Handful Of Stars
B1 That Old Feeling
B2 Spring Is Here
B3 I Can't Believe That You're In Love With Me

Matrix
Side 1: MS-501 64-MTS-802
Side 2: MS-501 64-MTS-803

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JACKETS PROTECTED BY HIGH QUALITY JACKET PROTECTORS
STORED HVAC

SHIPPED IN DEDICATED LP BOX/MAILER

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