Lipinski Sound Corp. L-707 Pair

Lipinski L-707 Speakers for sale

If you are an audio enthusiast you will likely know about Lipinski speakers.  They are the brainchild of recording engineer Andrew Lipinski.  These speakers (and all Lipinski products) have received rave reviews, and are reference audio products.  Lipinski monitors have been used to master movie soundtracks (like ‘Logan’) and acclaimed albums (like Beck’s ‘Morning Phase’).

New these are selling for $3200 to $4000…per speaker!  

of https://www.proaudiosolutions.com/Lipinski-L-707-Main-Speaker-Single-p/lipinski-l707.htm - $3200 each!

http://ralaudio.com/lipinski-sound-corp-m-49.html - $4000 each!

This pair of black Lipinski L-707 monitors can be yours for $2750 for the pair!

Check out the review from ProSound Network:

“My new-found friend produces world-class sound, the proverbial "hair-raising shiver of excitement." Some loudspeakers create a fake transient response by instituting a rising high end, but this is not the case with the 707s, which have a very natural tonality. They sound extremely tight, clean, dynamic, and open. The ability to reveal previously-unheard details in a recording is often the sign of a good loudspeaker. (*provided it's not due to exaggerated frequency response peaks, which is not the case with the 707s).

It may sound like a cliche, but I have rediscovered all my best recordings, and even begun to notice surprising new details in my own recordings that I have played many times. On one of my own Chesky recordings, I discovered that Kenny Rankin moves closer to the microphone on a specific verse, which was "below the radar" on all previous listens over 12 years' time! This must be due to the speaker's superior response to dynamic changes. I noticed for the first time noise-gating and mic muting on Laurie Anderson's "Big Red Tightrope." I heard the comb filter bounce from the Plexiglas vocal booth in my Chesky recording of Livingston Taylor, "Isn't She Lovely." I heard the fake ambiance around each of the multiple mics in multi mic'd recordings that had previously sounded "okay" to me, but now I could pick out all of their flaws. Again and again, new inner details revealed themselves. Yet this loudspeaker's uncanny ability to separate a recording into its parts never spoiled my listening experience, just increased my sense of wonder at how much more I can hear, when this jaded listener thought I had heard everything!”