For the enjoyment of music. Lot's of changes over the years. I typically won't buy something unless I can listen to it in my system. Spending a lot of time recently searching out well recorded and interesting music via hi res downloads. I have a really nice vinyl collection mostly Jazz and pop. Digital I'm filling out my classical titles and more modern recordings. Jan '16
A seriously great preamp...one of the best...if you're reading this...contact me...this is that good..
DCS Vivaldi DAC, Transport, Clock & Upsampler
dCS Vivaldi DAC, Trans and Clock
Transparent Opus Gen 5 & Magnum Opus
replaced mm2 version
Transparent Audio Opus Power and Opus Power Source Gen 5
Transparent Opus Gen 5 Speaker Cable
Speaker cable
Grand Prix Silverstone F1
stand
Spiral Groove Centroid
Uni Pivot arm
Grand Prix Audio Monaco
Direct Drive Turntable s/n 40
Nagra Classic Amp
Stereo amp
Nagra VPS/MPS and VFS
Just added the Nagra MPS power supply. Really more sublime now...the Nagra VPS/VFS combo was already great, however the MPS lowers the noise...sound stage opens up and transparency increases
Grand Prix Audio Apex - Threaded footer
very finely threaded very of Apex for minute level adjustments
Keith Monks Ruby
Killer record cleaner. I've always wanted a Monks.
Shunyata Hydra Triton v2/Typhon/DPC-6 v2
Sigma HC feeding Triton & Anaconda Zitron Feeding Typhon. All front end (dCS, Nagra, and TT motor controller...
Transparent Audio Reference XL Digital
Clock cables for dCS (2) bnc to bnc and Dual AES trans to dac
Thank you for the thoughtful responses. I will try to address the points you each raise.
Jfrech:
I have considered a tube pre. I have hesitated as I presume the Boulder pre is the best match for it's amp. My closest audophile friend (who is incredibly knowlegeable!) has ARC ref 3 and VTL Seigfried's. He has suggested this, or perhaps a tube based DAC as an option (very few of those around, plus technology changing rapidly).
I have done a lot of tweaking and have a fully treated room. I agree that the Wilson's had a long break in. I got mine in Dec 08. and I think it took at least 2 months before coherency was established.
I have spoke to Albert, but have not met him as yet. I have some Kubala Elations coming in for demo in the next week or so. I hear they are a good match with Boulder. Perhaps Purist could be a good fit as well. Do you have a description/comparison to offer?
I am Curious about the fuses. Are they easy to change, order the correct type, etc? I am not accustomed to opening up my equipment if that is even necessary.
Interestingly, I not only leave my equipment on, but leave it playing 24/7 as I find that yields the best results.
Rtn1
Some of the above addresses your post. I am curious that the BAT REX got a bit of a bland review in the audiophile press. Their other products are excellent and well priced. Did you consider/try any other tubed pre?
I love my power cords. I have the new Tara Cobalt XL's which are extremely textured yet detailed. I find that is the character of Tara's high end cables. However, I think the speaker cables, especially the new Omega Gold, to be leaning to the hyperdetailed side. I have demoed those extensively, and they were too much for my system.
I know nothing of the gold cables that you have. Any comparitive information would be helpful.
I also know nothing of the Tripoint Troy. I have a ground loop between my theater equipment and my 2 channel equipment. All are on dedicated lines, but they go to different subpanels. I have to keep the theater interconnects to the preamp disconnected if I want the best musical experience.
I have followed your system over the years as we have shared similar equipment (BAT VK150 and Maxx 2). I read with interest that you moved away from the BAT's. I have often wondered why those amps aren't often mentioned along with other high end tube amps. I recently have been jonesing for my long lost tube amps, but also live in Texas and have some heat issues. I now have a Alexandrias with a similar midrange/tweeter combination as you have. I have great sound, but I have started to listen to more classical music lately and finds some instruments lack the body that I would like. I would guess tubes would ameliorate that, but I also wonder about cabling. I would be curious about your transition to SS and how you have found that element preserved in your current system. It could just be a weakness of digital. Thanks