Description

I have moved to a fully computer based set up as a source. No transport and none of those shiny disks any more.

The system has an open, huge soundstage, with very clean, tight bass that dives deep into two figure Hz.

The sound is very powerful and dynamic. Extremely detailed, but still warm, musical and believable and easy to listen to. With the right recording a reach out and touch holographic image and soundstage is possible.

I have been through quite a lot of equipment. I am and was a huge Audio Research fan for years, and I used their tube monos/preamps with great happiness.

I have pretty much always had planar speakers until recently. So I needed powerful amps to drive Magnepan2.6R/3.6R and Apogee Diva/Duetta sig etc.

I have moved to high sensitivity speakers in the form of the Avantgarde Trios now. This has enabled a move to very low powered SET amplifiers which has been great fun.

I have been searching for equipment that keeps the music free of colour and true to the recording. I believe you choose your source for its sound. The rest of the equipment should let the source do its magic as much as possible and get out of the way of the music.

Happy listening
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Components Toggle details

    • Yamamoto A08s
    This unit is modified with Mundorf silver/gold in oil caps, Mundorf tube cap, and Duelund VSF Cu caps. I use Emission Labs mesh plates 45 power tubes. A very refined and beautifully natural sounding amp. Very transparent.
    • DCS Scarlatti clock
    Finest player in the world
    • Avantgarde Trio
    19 ohm 109db/watt with 225 subs
    • DCS Scarlatti
    State of the art number crunching.
    • PS audio Premier Power Plant
    Power regenerator.
    • Analysis plus Golden oval XLR
    Beautiful cable. Amazing detail and still warm and life like
    • Audio Magic Stealth XXX oyaide
    Specially made with Oyaide XXX sockets and furutech input. Much more detailed than the Hydra it replaced
    • Apogee Duetta signature2 Heavily modified
    These have the latest Graz ribbons both tweeter/mid and bass panels. I have external cross overs with mundorf silver/gold in oil caps and Alphacore foil inductors. Caddock resistors and all solid core silver wired. All suspended and vibration free. These apogees take much more power and go way louder and have much better dynamics than the original. Not only that but much improved sound quality.
    Simply stunning! I have had many planars magnepan etc but these really are the best in every way now. Long live Apogee and Thank goodness for Grazs search for perfection!
    • Virtual dynamics Revelation 2
    This must be one of the only cables I have heard that when compared to cables that seem to "do nothing" or just pass signal untouched this cable does lots but in a good way! A staggering solid detailed sound, but a nightmare to plug in due to its size, weight and stiffness.
    • Virtual dynamics Master LE
    Very nicely focused cable with very low noise floor. The best bass I have heard and startling dynamic speed
    • Oyaide SWO XXX/SWO GX
    Its own spur and conditioned with various filters along the way before reaching the Stealth
    • Acoustic Revive RR-77
    Sends out a very low frequency into the room which disrupts RFI EMI and makes you feel relaxed! Very odd but works well Seems to focus the mid range
    • Sonic studio Amarra
    Bolt on for itunes
    • Auralex Lenrd Bass traps
    I have 8 of these traps placed subtly in the corners of the listening room. They have done a very good job in a room that had quite tight bass anyway.
    • Weiss Medea plus
    Latest super DAC. Volume control on Firewire input. Variable output voltage to match amps. stunning DAC

Comments 359

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Hi Chad,
I could not have a home demo with Scarlattis due to some last minute issues but had a brief listening them at the dealer, also listened Puccini cd player. First I listened to the cd player, it seemed nice for a single unit player. Then Scarlatti combo including the clock. I might say I have not heard anything sounding similar or close. It was totally different. I have not yet listened a digital source so real in focusing and sounstage. It killed the cd player easily so Puccini reminded me like a good cd player but Scarlatti was something else. I really would like to try it at home if i can.
Do you have any experience/views with Paganini combo? In case Scarlatti exceeds my budget I might think of Paganini which is also expensive but considerably lower than Scarlatti combo.
Finally, what do you think of Esoteric combo d3/p3+clock, have you compared it to your DCS gear?
Have a nice listening!

number95

Mines are Svetlana 6550C. They have a perfect balance from bottom to top. I also used Tungsol 6550s with my old VT-200, I also liked them.

Happy listenings. (I will inform you about my DCS Scarlatti experience)

number95

You are right about B&Ws. I tried various amps, my old VT-200 was not a match. I tried Halcro DM-68 did not also work, together they were too analytical and lacked the midrange. Krell EVO-400 seemed to be ok, but high frequencies were too laid back. I really liked Classe Omega but something was still missing. Then Ref-610T. It is a different chapter. My dream of having the magic of push-pull tube amplification and at the same time absolute control and grip over my B&W came true. The only problem is mannnyyy tubes all over the place! 23x2 tubes are making the listening room a bit hot! In winter it is good but in summer, I need to turn on the air condition (a very silent running one). Every rose has its thorn :-)

number95

I understand your philosophy of listening to music and I respect. It seems this DCS gear is giving you even the smallest detail but without getting lost in details and without forgetting about listening to the main theme of music. I can really think about it even if it is very expensive.

I will listen to Scarlatti in a couple of days at home with my system and it will be a true test (much better than listening to at the dealer's system). I will also listen to them as directly driving my tube beasts and try to see what is changing (but I must confess ARC reference series has a synergy when being used together). However, I need to use in any case a seperate preamp since I also have my analog source.

My current cd player is a magical sounding Audio Aero Prestige SACD player (it has also a tube output and built in line stage, before Ref-3 arrived, I was using it as a preamp also. But Ref-3 is a totally different class), it really sounds like analog. It is a bit at the warm side of the music, not the most detailed cd player that I listened to but has a beautiful soundstage and a bit romantic with the music. But with some sort of music, it is sometimes less exciting or lacking some dynamics and attacks. So I wonder a very detailed and dynamic but true sounding digital source might be a magical companion with my ARC gear.

People say DCS are really cable dependent (digital, power cords etc) and it is a hard task to get optimum efficiency from DCS combo, do you have similar findings Chad?

My speakers are B&W Nautilus 800. I use Transparent Reference connectors and speaker cables, Shunyata Anaconda cords.

number95

" Puts an end to any discussion about digital vs analogue."

I am really curious to listen to Scarlatti trio, if your statement is really based on comparing your Scarlattis with finest analog gear. I am arranging a demo for next week and really want to see how these DCS sound like. I used to listen to older version (Purcell, Elgar etc) but found those a bit too analytical and cold sounding to my taste and they were miles away from giving the most natural and live presentation when compared to a hiend analog gear.

I am also an ARC fan as you Chad. Currently I have Ref-3 Ref-610T combo. And who knows, maybe after listening new DCS I can be a DCS fan as well.

Happy Listenings.

number95