Von Gaylord AudioVG-8 MK II SpeakersusedVon Gaylord Audio VG-8 MK II SpeakersWe are the ONLY authorized Von Gaylord Audio dealer who handles Demo and Used equipment here in the United States. If you are interested in a specific model. Please contact us. We might likely have...2500.00

Von Gaylord Audio VG-8 MK II Speakers [Expired]

no longer for sale

We are the ONLY authorized Von Gaylord Audio dealer who handles Demo and Used equipment here in the United States. If you are interested in a specific model. Please contact us. We might likely have them in stock. For sale is a pair of demo VG-8 MK II speakers. They are always the show favor. Here are some comment from the recent audio Show, the stands are not included. "Am I the only one blown away by the amazing Von Gaylord speakers? Tucked away in the very last ice hut, just them and an unassuming tube amp on the floor, I think they were the best speakers at the show. Astounding, they were. Anybody familiar with this San Francisco outfit? But those speakers, piano black truncated pyramid stand-mounts with 8 inch fiberglass woofers and 1.5 inch titanium tweeters, they were absolute magic. They could be my last speakers." Part Time Audiophile CAS 2014: Von Gaylord’s magic monitors Posted on August 25, 2014byJohn StancavageinCAS 2014 Every high-end audio enthusiast has his or her likes and dislikes, whether they will admit it or not. When the person is paid to write about the hobby, we tend to call them biases, a word that has a little more edge. As for me, I’ll admit I’ve never been a stand-mounted speaker fan. Yes, I get the whole pinpoint imaging/throws a huge soundstage/unsurpassed microdynamics thing, but what I’m not willing to give up is deep bass, weight, solidity and image height. To me, that’s kind of like buying the Mona Lisa and then reframing the painting to crop out her forehead and bosom. Sure, the most important elements are still there -- and maybe you’re focused on them even more – but I want the whole package. And my bag of chips. So, when I popped my head in theVon Gaylord Audioroom at CAS 2014, I didn’t have high expectations. I saw a pair of stand-mounted monitors and a modest-looking integrated amp. As I settled in and fished through my camera bag for a demo disc, a large gentleman bounced into the seat next to me. “Try this,” he said, pushing his own CD forward. I glanced at the cover. It was the Sheffield Drum Record. “Oh, for the love of ….” I muttered under my breath. I grabbed by bag and started to make a beeline for the door. That’s when I heard the initial snare whacks and cymbal flourishes. I paused for a second, and then slowly crept back to my seat. Something was going on here. I listened carefully to every roll, snap and kick. I’ve never been able to tolerate this kind of hi-fi fireworks before, but with the Von Gaylord system I was enthralled. “Good, huh?” the big guy said, as he took his disc back. I quickly dug out my remastered copy of The Feelies’ pastoral second album,The Good Earth, and handed it to Von Gaylord honcho Ray Leung. He dropped it in the CD player and cued up track one, “On the Roof.” The track kicked off with a burst of quickly strummed acoustic guitars and the inimitable driving rhythms of drummer Stan Demeski. Slowly, guitarist Glenn Mercer, a reluctant lead vocalist if there ever was one, began singing from what sounds like the back of the studio. I’ve heard this track a million times, and Mercer’s bashful vocals are part of its appeal. On many systems, his voice is more of a buzzing drone that sounds like he may have taken refuge in the hallway. But the Von Gaylord system isolated Mercer in the mix and allowed me to actually try to decipher the cryptic lyrics. Another part of this song I’d been listening to carefully all day was Dave Weckerman’s tambourine. On too many systems, it merges with the snare into a single, distracting sound. On the Von Gaylord rig, however, the tambourine retained a delicate jangle while the snare had a non-fatiguing mix of impact and touch. Equally startling to me was the bass. On small monitors that try to “cheat,” there’s an exaggeration in the upper bass that creates the fullness until you also notice it’s masking the texture of the acoustic guitars and messing up the pace of the rhythm track. The Von Gaylord system had no such problem. The bass had impressive depth, but also admirable pitch definition and a complete lack of bloat. Nit picks? The stand-mounts didn’t go as deep as the REL Stadium sub-woofer in my home reference system, but that’s not a fair comparison. And, when I closed my eyes and really focused, I also noticed a slight bit of strain on transients when the speakers were pushed hard. After auditioning tracks from Donald Fagen’s “Morph the Cat” and Dire Straits’ self-titled first album, with similar results, I found myself scribbling “best sound of show so far” in my notebook and turning to ask Leung how he does it. “All of our components are custom-made here in the U.S.,” he said. The company is based in West Sacramento, California. He pointed out that the VG-8 speakers ($4,995 a pair), which have an 8 inch fiberglass woofer and 1.5 inch titanium dome tweeter, were still breaking in. Based on what I heard, I wondered just how much better they could get. Heck, you’d have plenty left over to buy a decent Mona Lisa print for the listening room, too. And, when the Von Gaylord system was playing, I’ll bet her smile would look even bigger. Best sound:(tie)Wilson Music Lovers/Wilson Audio Specialties/Audio Research,Von Gaylord Audio,Linn Audio Loudspeakers. Here is another review from AV showroom: https://www.youtube.com/watch?v=4cBKXpYZdwU The speakers are in excellent condition. Please email us if you have any question. Thanks for bidding!