NakamichiDRAGONusedNAKAMICHI DRAGON Audiophile Cassette deck, Willy Hermann Overhauled, Near MintNAKAMICHI DRAGON THE LEGENDARY AUDIOPHILE AUTO REVERSECASSETTE DECK IN NEAR MINT CONDITIONOne Year WarrantyOverhauled By Willy HermannMade In JapanI have this unit also listed on Audiogon for ...5100.00

NAKAMICHI DRAGON Audiophile Cassette deck, Willy Hermann Overhauled, Near Mint [Expired]

no longer for sale


One Year Warranty

Overhauled  By Willy Hermann

Made In Japan

I have this unit also listed on Audiogon for less price ask for a link

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This Nakamichi Dragonis part of my collection. Please read the specs and info about this Legendary unit that is considered one of the best Cassette players of all time. The unit is in Near Mint condition. Please check the YouTube video bellow.



Nakamichi Dragon Cassette Deck

         LPs and 45-rpm singles remained the unchallenged music formats throughout the 1950s, 1960s, and well into the 1970swhen the Compact Cassette really took off. Cassettes were more portable and didn’t suffer from scratches and surface noise issues (but tape hiss could be a problem). The cassette was also the first recordable format to garner a bona-fide, mass-market foothold.

With a tape speed of 17/8 inches per second, the cassette wasn’t initially considered a high-fidelity format, but thanks to the fierce competition among cassette-deck manufacturers, sound quality advances quickly elevated the format’s status. Nakamichi emerged as the uncontested king of the hill when it built the world’s first three-head machine in 1973. That deck, the 1000, had separate playback, record, and erase heads, and some owners thought it sounded as good as the better open-reel tape machines. While Nakamichi may have looked like an overnight sensation in the U.S., the company was founded in 1948 in Tokyo, Japan. In 1982, it raised the ante yet again with the Dragon, the ultimate consumer-cassette machine.

 The feature that made the Dragon the ne plus ultra deck was its Automatic Azimuth Correction technology. With this technology, all tapes—even prerecorded ones—were played in perfect alignment to ensure accurate and airy, high-frequency response (and for both “sides” of the tape). The Dragon’s downside was that its record biases tings weren’t automated, as they were on many other high-end decks. The Dragon required hand tweaking to optimize recording quality. But if you got it right, it was really right. Nakamichi’s tape transport mechanism used different sized diameters (and, hence, rotational speeds) for the two capstans and flywheels to ensure the smoothest possible tape movement over the record and playback heads. To deal with tape hiss inherent with the Compact Cassette format, the Dragon had Dolby B and C noise reduction, but Nakamichi never added the more advanced Dolby HX Pro. 



Type: auto reverse, 3-head, single compact cassette deck

Track System: 4-track, 2-channel stereo

Tape Speed: 4.8 cm/s

Heads: 1 x record, 1 x playback, 1 x erase

Motor: 2 x capstan, 1 x reel, 1 x auto azimuth, 1 x mechanism

Tape Type: type I, CrO2, Metal

Noise Reduction: B, C

Frequency Response: 20Hz to 22kHz  (Metaltape)

Signal to Noise Ratio: 72dB  (dolby C)

Wow and Flutter: 0.04%

Total Harmonic Distortion: 0.8%

Input: 50mV (line)

Output: 1V (line)

Dimensions: 450 x 135 x 300mm

Weight: 9.5kg

Year: 1982 to 1995

Price: GBP £2350 (1992)



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will accept returns. All shipping damage claims must be settled with UPS/ USPS/FedEx before issuing refund.


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