LED ZEPPELIN - PHYSICAL GRAFFITI * CLASSIC RECORDS 2 x 200 GRAM PRESS *
Led Zeppelin returned from a nearly two-year hiatus in 1975 with the double-album Physical Graffiti, their most sprawling and ambitious work. Where Led Zeppelin IV and Houses of the Holy integrated influences on each song, the majority of the tracks on Physical Graffiti are individual stylistic workouts. The highlights are when Zeppelin incorporate influences and stretch out into new stylistic territory, most notably on the tense, Eastern-influenced "Kashmir." "Trampled Underfoot," with John Paul Jones' galloping keyboard, is their best funk-metal workout, while "Houses of the Holy" is their best attempt at pop, and "Down by the Seaside" is the closest they've come to country. Even the heavier blues -- the 11-minute "In My Time of Dying," the tightly wound "Custard Pie," and the monstrous epic "The Rover" -- are louder and more extended and textured than their previous work. Also, all of the heavy songs are on the first record, leaving the rest of the album to explore more adventurous territory, whether it's acoustic tracks or grandiose but quiet epics like the affecting "Ten Years Gone." The second half of Physical Graffiti feels like the group is cleaning the vaults out, issuing every little scrap of music they set to tape in the past few years. That means that the album is filled with songs that aren't quite filler, but don't quite match the peaks of the album, either. Still, even these songs have their merits -- "Sick Again" is the meanest, most decadent rocker they ever recorded, and the folky acoustic rock & roll of "Boogie with Stu" and "Black Country Woman" may be tossed off, but they have a relaxed, off-hand charm that Zeppelin never matched. It takes a while to sort out all of the music on the album, but Physical Graffiti captures the whole experience of Led Zeppelin at the top of their game better than any of their other albums. (AMG)
A Note on Classic Records: Acclaimed reissue label specializing in audiophile LP reissues of classic albums; employs its own custom-built tube-based mastering equipment on all of its releases; masters its releases from original master tapes (or the best sources available). Earliest releases were a box set of RCA Living Stereo classical titles and Verve jazz titles (subsequently sold individually).
Classic used 180 gram vinyl until 2001. That year they switched to 180 gram "SV" (Super Vinyl) and added a sticker specifying the type of vinyl to all their LPs. They introduced 200 gram "Quiex SV-P" in July 2002. That was followed by "SV-P II" and, in 2008, "Clarity Vinyl." In the 2000s, they also introduced lower priced versions of many of their LPs, pressed from the same masters but on regular 150, 140, or 120 gram vinyl. Represses were always done on the latest vinyl formulation and can be dated by the sticker.
Classic also produced a line of gold CDs in the 1990s and then 24/96 HDAD digital disks. Mastering was typically done at Bernie Grundman Mastering by Grundman himself or Chris Bellman. Classic's assets were purchased by Acoustic Sounds in 2010. (DSG)
Led Zeppelin – Physical Graffiti
Label: Classic Records – SS 2-200
Format: 2 × Vinyl, LP, Album, 200 Gram
Country: US Released: 2005
A1 Custard Pie 4:20
A2 The Rover 5:44
A3 In My Time Of Dying 11:08
B1 Houses Of The Holy 4:01
B2 Trampled Under Foot 5:38
B3 Kashmir 9:41
C1 In The Light 8:46
C2 Bron-Yr-Aur 2:07
C3 Down By The Sea Side 5:15
C4 Ten Years Gone 6:55
D1 Night Flight 3:37
D2 The Wanton Song 4:10
D3 Boogie With Stu 3:45
D4 Black Country Woman 4:30
D5 Sick Again 4:40
Executive-Producer – Peter Grant
Producer – Jimmy Page
Classic Records 200 Gram QUIEX SV-P Hand Made Audiophile Pressing With Replica Artwork
CLEANED ON VPI HW-27 TYPHOON [6-STEP PROCESS]
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