Bryston BDP-1 With Hi Res Music

Bryston BDP-1 Media Player / Streamer that I purchased recently from a dealer's used stock. I have loaded the current "Manic Moose" firmware on it and it sounds great and works perfectly. I am including a portable USB drive loaded with one TB of 100% hi-res music, a mix of classical, jazz, pop, and country from my collection. In terms of space used, the mix is 50% jazz, 25% classical, 13% pop, and 12% country. Almost all of these are FLAC files. The unit was shipped to me in a BDP-2 box, which is the same size as the BDP-1, so that is how you will get it. There is no remote. I will also include the "Manic Moose" manual which I downloaded from the internet and have placed in a small notebook. Here are some favorable review comments on the BDP-1: "The astonishing new BDP-1 Digital Player is a technological tour de force." "The Bryston BDP-1 doesn't merely 'sound better'; the Experience of hearing music through it is qualitatively different." - The Absolute Sound 2012 High-End Audio Buyer's Guide, November 2011 "Though there is a display, there are no fans, no CD drives, no keyboards, no DAC circuitry, and no built-in routers to produce noise, RF interference, or heat. It played every hi-rez file I could lay hands on, including 24-bit/192kHz FLAC, WAV, and AIFF files, consistently delivering open highs, rich mid- range timbres, a stunning dynamic range, and three-dimensional imaging. When you hear it, you, too, will find the BDP-1 a keeper." - Larry Greenhill, Stereophile magazine, June 2011 "Listen to a 24-bit/192 kHz recording such as The Scottish Chamber Orchestra's rendition of Beethoven's Piano Concerto No.3 in C Minor, Op.37 and the sense of space is astonishing. Not just the space that defines the venue, but that between instruments, too. And despite all the insight, there's no loss of cohesion. There's also a spell-binding finesse here, a lightness of touch, that once heard is hard to do without." - What Hi-Fi? magazine "The BDP-1 has a very rich, very clean sound with ample bass and astonishingly low levels of distortion." - Andy Schaub, Positive Feedback magazine, Issue 56, July/August 2011