Syrinx PU3 IpsissimaModified Armbase, 5-pin DIN usedSyrinx PU3 Ipsissima Modified Armbase, 5-pin DIN  Silver internal wiringsExcellent example of Scot Strachan' Syrinx Ipsissima PU3, best of the Syrinx arms and the forerunner to Audio Origami PU-7. Service and modifications for Syrinx arms are now available from Audio...600.00

Syrinx PU3 Ipsissima Modified Armbase, 5-pin DIN Silver internal wirings

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Condition
8/10
Payment methods
Ships fromKuala Lumpur, Malaysia, 52200
Ships toWorldwide
Package dimensions14.0" × 4.0" × 4.0" (5.0 lbs.)
Shipping carrierUSPS
Shipping costSpecified after purchase
AverageResearch Pricing

Excellent example of Scot Strachan' Syrinx Ipsissima PU3, best of the Syrinx arms and the forerunner to Audio Origami PU-7.

Service and modifications for Syrinx arms are now available from Audio Origami, UK.

As seen in the pictures, the arm has gone thru a fair number of upgrades over the years to improve its performance and user friendliness. The arm now has basically a Rega mounting arrangement (same 222mm mounting distance) with a provision of easy VTA adjustments at the pillar housing via two (2) M3 set screws. The arm base can be rotated for tonearm cable dressing. Internal wirings are 5Ns silver wires and Cardas clips, terminated with a 5-pin DIN plug for experiment with after-market phone cables.  The original finger lift is missing but I have included one for those who prefer to use one.

Most important, the bearings are tight and smooth (somewhat of a problem
with Syrinx arms). Some usual mounting wear on the headshell and arm
pillar. Overall the arm looks great, the stainless steel parts are
smooth and shiny, testament of its build quality.


Armboard is Linn compatible multiply. Extra inner brass weights for heavier cartridge, and original tonearm base included. Also a Linn tonearm cable to start you off but surely this arm deserves better.

Smooth, beguiling sound, highly regarded as one of the best Brit’s super arms of the ‘80s, and at one time one of Art Dudley’s favorite.



Extract from HIFI World:

SYRINX PU3


"Back in late 1981, Scot Strachan unveiled his Syrinx PU2 to an unsuspecting world. It was a promising design, but strongly flawed in several important areas, such as resonance characteristics, ease of use and build quality.

Enter the PU3 in 1983, substantially evolved and with ultra low resonance and ease of set-up as its goals. At £291 it wasn't cheap, but its quality and design flair were such that it seemed a bargain nonetheless.

An odd looking device, the PU3 is reckoned to be the first tonearm to feature a cigar shaped armtube to reduce resonances. Strachan once lamented the fact that few people gave him credit for this bright idea, although pointed out that Isambard Kingdom Brunel had actually used it in his bridges, some years previous! Despite its beefy looks, it's a surprisingly low mass design. Weighing in at just 9g effective mass, it will get the best
out of higher compliance moving magnets, as well as most moving coils. Cartridge weight range is 4 to 12g. Offset adjustment is done by unclamping the armtube at its boss and rotating the whole assembly fore and aft on a fine screw thread. Tracking weight is set via a threaded counterweight and then locked with a concentric thumbwheel, and bias is applied by a weight and thread, on the falling lever principle. And in the best traditions of tweaky high end kit, neither adjustment is calibrated! Bearings are top quality, highly toleranced items, and internal wiring is high purity copper with PVC dielectric
.

Sound quality is extremely good overall, with a particularly lucid and organic midband. Whereas arms like the Zeta give epic, grandstanding performances of every record you play on them, the PU3 is altogether more subtle and cohesive. Bass is lighter and slower with less energy and articulation. But the Syrinx comes into its own in the midband, which has a beautifully natural, musical character. Although super detailed, it's never in your face or showy. Rather, instruments are conjured from mid air in all their tactile, vibrant glory. Soundstaging is gloriously wide, open and deep and imaging accurate yet never pedantically over emphasised.

Critics of the PU3 would call it warm and coloured, with a slightly fat, overblown sound. But from where I'm standing it's a true star. Best characterised as extremely 'analogue', it's a great way to unlock the music in the groove, rather than the hi-fi. Clean and natural, it draws the listener in rather than makes him focus on the song's recording quality or the disc's surface noise.

The Syrinx PU3 is a fine used buy providing the example you choose is of he one careful owner variety. Pay £200-£250 for a well preserved specimen, much less for a clunker. The PU2 Gold is another possibility, being the latest, most developed incarnation of the '3's predecessor, but they're hopelessly fiddly to set up and use, and always drift out of tune. Pay £80 for a good PU2g with Mass Ring.

WORLD VERDICT: OOOO

Loveable oddball with a quintessentially 'analogue' performance.

Questionable spares availability and age make for low prices."

No original box but the arm will be carefully boxed for worldwide shipment via Fedex or registered air parcel post .

Buyer pays shipping (example about $60 to the US) and paypal/remittance charges.

Please contact me at [email protected] for further details or more pictures.

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